
is the most powerful content search platform to empower all rights holders and content creators to realize billions of dollars in income from new and archival video, photography, music and other forms of unstructured data.
Built in the Cloud. Powered by AI. Managed via the Blockchain.
Every day, more than a million hours of video content is created.
Most lies buried or forgotten.
About egoli
Imagine managing and distributing your video and photographic content using an upload process even easier than YouTube, a search engine as powerful as Google, a sales platform more extensive than Getty images, an NFT platform more user-friendly and universal than OpenSea – all embedded in an automated, highly personalized Media Asset Management system.
That’s how the egoli platform has been built, with the insight and experience of content creators shaping the unique, highly automated user experience.
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Classification
Egoli is also found in these classifications
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Category
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The rights holder never loses ownership or control over their content and has the opportunity to actively designate content which is expected to be of high value and that which has royalty free characteristics. The high volume / low value clips co-exist with premium-priced collectibles on the platform, but the pricing and IP tracking is managed via the back-end, using SmartContracts to protect the interests of the rights holder.
We do not offer ‘free’ download. Users must pay to access content and contributors must register themselves as rights holders on the platform. Any registered user can upload their content for free. These “casual” contributors enter into a 50/50 royalty split arrangement in return for our processing, tagging and storing services, and the distribution and sale of their content on the platform. This content may be sold to other rights holders on our platform for the purposes of fan engagement campaigns and data analytics. We believe that we have created the first platform to give a direct economic incentive to fans by rewarding them for uploading their content, while protecting rights holder content from piracy.
Using our platform is easy. All content is uploaded in its raw form either by the rights holders themselves or by our researchers, at a cost. Our AI processes the streamed content and breaks it down to create individual clips which are automatically logged and tagged to enable detailed and immediate search. Users of our platform can then license individual clips as either royalty free or rights managed clips. Neither the creator nor the user is required to clip, edit or search through streamed content to find the content they require and if they want an automated package of clips, a pre-determined search string will automatically deliver edited highlights or packages.
We believe that our platform opens up vast opportunities to bring fans closer to the experiences they love. Not only can fans buy clips (royalty free or as digital collectibles, trading cards, etc.), they are able to upload their own clips. This in turn benefits other rights holders by expanding archives and providing valuable data insights into user behaviors.
Restrictions on usage and pricing parameters are all factored into the rights holder algorithm. Piracy is commonplace and as we know, even the best-intentioned YouTube users are inclined to rip low resolution content for social media for personal use. This is only one example of where piracy can be avoided, instead adding incremental benefit to a rights holder’s revenue model.
We believe that the technology which underpins our platform is the only GDPR-compliant facial recognition system on the market. This gives rights holders comfort that the management of their content is safe, secure and compliant with regulations. The matter of compliance is increasingly important and the structure of the processing, management and reporting of data associated with content is a fundamental building block of our infrastructure.
Our algorithm dynamically prices content from a “base” cost. Where royalty free content is concerned, this is against a rate which reflects both technical quality and usage. Where rights managed content is concerned, the model is more sophisticated and can accommodate distribution of revenue to participants to the rights including user generated content creators. Prices reflect specific usage requirements and term and can accommodate discounts on “associated” clips. For instance, an alternative camera angle of the same shot may be offered at a discounted rate after the first clip to “upsell” the user and increase the aggregated revenues for rights holders. Conversely, a “reserve” or a “negotiation” clause can be built into the algorithm to trigger a manual negotiation or bidding process on high-value clips and collectibles. Once fully developed and integrated, each clip on our platform will have a base price and users can see the level at which that clip is trading, either increasing or decreasing in value to reflect consumer demand. Content which is “trending” will have a higher price than less popular content and rights holders, content creators and buyers are able to track the value of each clip at any time, much like a stock exchange.
At any time, the rights holder can decide not to sell all or part of their archive. Content creators and rights holders are able to lease “vaults” and we charge vault fees to the owner of the content, much like a safety deposit box. By leasing vaults, rights holders retain control over content they wish to protect versus content they choose to make publicly available.
Egoli is also found in these locations

11693 San Vicente Blvd., #393
Los Angeles CA 90049
United States of America

10 Golden Square
Soho
London W1F 9JA
Egoli is also found with these people

Caroline is one of the most prolific and awarded storytellers in sports.
Inducted into the Olympic Hall of Fame in 2019 in recognition of her contribution to Olympic film-making, she achieved both commercial success and critical acclaim with New Moon, the creative agency she founded in 1996. New Moon dominated the sports bidding sector across 14 major Olympic, World Cup and other major sports Bids.
No post found for giles-morgan

Known in the technology community as a user-interface innovator, Jamie’s career started with building and servicing technology hardware which led to a 20 year career in development where software and hardware integration has remained a strong focus.

Joe attained his BA History degree from Leeds University, before gaining a MA in Eastern European Modern History from UCL. After gaining experience with internships at City Football Group and the Daily Mail Sports desk, he joined egoli as part of the inaugural graduate program in 2020. In his current role he manages the IPC, PTO, FIS and APC accounts.

Mr. Rogers was appointed as Interim Chief Financial Officer in June 2022 to oversee the transition for outsourced financial management to an in-house function to facilitate growth. Mr. Rogers is a senior finance executive with more than 40 years of diverse international management experience.

- Commercial & marketing roles at the World Surf League, NBA, Women’s Tennis & US Ski & Snowboard Association, the Rugby Football Union, Adidas and CSM
- PGA European Tour Board
- 40 under 40 by the Sports Business Journal and Leaders
- Forbes & AdWeek Powerful Women in Sports

Stephen’s experience of systems architecture in sports has been honed over years of building and testing systems architecture for six Olympic Games from Salt Lake City through to Vancouver Olympic Games. During that time he was responsible for penetration testing across security and broadcast for OCOGs and led the integration of organizing committee and IOC systems.

- CEO of eSports brand FaZe Clan
- Most recently President of MLS San Jose Earthquakes
- CEO of Aston Villa FC
- Chief Commercial Officer Arsenal FC
- Senior, Global Sports Marketing roles at Wasserman, Gatorade, Nike and the NBA

- UCLA Computer Science & Engineering
- Masters at Hong Kong University of Science & Technology
- Fantasy sports startup ‘FTXSports’
- Consultant 2008 Beijing Olympic Games, 2010 FIFA World Cup in South Africa, 2015 Cricket World Cup Australia
Classification
Egoli is also found in these classifications
Category
Egoli is also found in these categories
Egoli is also found in these locations
Egoli is also found with these people
The rights holder never loses ownership or control over their content and has the opportunity to actively designate content which is expected to be of high value and that which has royalty free characteristics. The high volume / low value clips co-exist with premium-priced collectibles on the platform, but the pricing and IP tracking is managed via the back-end, using SmartContracts to protect the interests of the rights holder.
We do not offer ‘free’ download. Users must pay to access content and contributors must register themselves as rights holders on the platform. Any registered user can upload their content for free. These “casual” contributors enter into a 50/50 royalty split arrangement in return for our processing, tagging and storing services, and the distribution and sale of their content on the platform. This content may be sold to other rights holders on our platform for the purposes of fan engagement campaigns and data analytics. We believe that we have created the first platform to give a direct economic incentive to fans by rewarding them for uploading their content, while protecting rights holder content from piracy.
Using our platform is easy. All content is uploaded in its raw form either by the rights holders themselves or by our researchers, at a cost. Our AI processes the streamed content and breaks it down to create individual clips which are automatically logged and tagged to enable detailed and immediate search. Users of our platform can then license individual clips as either royalty free or rights managed clips. Neither the creator nor the user is required to clip, edit or search through streamed content to find the content they require and if they want an automated package of clips, a pre-determined search string will automatically deliver edited highlights or packages.
We believe that our platform opens up vast opportunities to bring fans closer to the experiences they love. Not only can fans buy clips (royalty free or as digital collectibles, trading cards, etc.), they are able to upload their own clips. This in turn benefits other rights holders by expanding archives and providing valuable data insights into user behaviors.
Restrictions on usage and pricing parameters are all factored into the rights holder algorithm. Piracy is commonplace and as we know, even the best-intentioned YouTube users are inclined to rip low resolution content for social media for personal use. This is only one example of where piracy can be avoided, instead adding incremental benefit to a rights holder’s revenue model.
We believe that the technology which underpins our platform is the only GDPR-compliant facial recognition system on the market. This gives rights holders comfort that the management of their content is safe, secure and compliant with regulations. The matter of compliance is increasingly important and the structure of the processing, management and reporting of data associated with content is a fundamental building block of our infrastructure.
Our algorithm dynamically prices content from a “base” cost. Where royalty free content is concerned, this is against a rate which reflects both technical quality and usage. Where rights managed content is concerned, the model is more sophisticated and can accommodate distribution of revenue to participants to the rights including user generated content creators. Prices reflect specific usage requirements and term and can accommodate discounts on “associated” clips. For instance, an alternative camera angle of the same shot may be offered at a discounted rate after the first clip to “upsell” the user and increase the aggregated revenues for rights holders. Conversely, a “reserve” or a “negotiation” clause can be built into the algorithm to trigger a manual negotiation or bidding process on high-value clips and collectibles. Once fully developed and integrated, each clip on our platform will have a base price and users can see the level at which that clip is trading, either increasing or decreasing in value to reflect consumer demand. Content which is “trending” will have a higher price than less popular content and rights holders, content creators and buyers are able to track the value of each clip at any time, much like a stock exchange.
At any time, the rights holder can decide not to sell all or part of their archive. Content creators and rights holders are able to lease “vaults” and we charge vault fees to the owner of the content, much like a safety deposit box. By leasing vaults, rights holders retain control over content they wish to protect versus content they choose to make publicly available.
Announcement coming soon
Announcement coming soon
Announcement coming soon

11693 San Vicente Blvd., #393
Los Angeles CA 90049
United States of America

10 Golden Square
Soho
London W1F 9JA

Caroline is one of the most prolific and awarded storytellers in sports.
Inducted into the Olympic Hall of Fame in 2019 in recognition of her contribution to Olympic film-making, she achieved both commercial success and critical acclaim with New Moon, the creative agency she founded in 1996. New Moon dominated the sports bidding sector across 14 major Olympic, World Cup and other major sports Bids.

Known in the technology community as a user-interface innovator, Jamie’s career started with building and servicing technology hardware which led to a 20 year career in development where software and hardware integration has remained a strong focus.

- Commercial & marketing roles at the World Surf League, NBA, Women’s Tennis & US Ski & Snowboard Association, the Rugby Football Union, Adidas and CSM
- PGA European Tour Board
- 40 under 40 by the Sports Business Journal and Leaders
- Forbes & AdWeek Powerful Women in Sports

Stephen’s experience of systems architecture in sports has been honed over years of building and testing systems architecture for six Olympic Games from Salt Lake City through to Vancouver Olympic Games. During that time he was responsible for penetration testing across security and broadcast for OCOGs and led the integration of organizing committee and IOC systems.

- CEO of eSports brand FaZe Clan
- Most recently President of MLS San Jose Earthquakes
- CEO of Aston Villa FC
- Chief Commercial Officer Arsenal FC
- Senior, Global Sports Marketing roles at Wasserman, Gatorade, Nike and the NBA

- UCLA Computer Science & Engineering
- Masters at Hong Kong University of Science & Technology
- Fantasy sports startup ‘FTXSports’
- Consultant 2008 Beijing Olympic Games, 2010 FIFA World Cup in South Africa, 2015 Cricket World Cup Australia

Mr. Rogers was appointed as Interim Chief Financial Officer in June 2022 to oversee the transition for outsourced financial management to an in-house function to facilitate growth. Mr. Rogers is a senior finance executive with more than 40 years of diverse international management experience.

Joe attained his BA History degree from Leeds University, before gaining a MA in Eastern European Modern History from UCL. After gaining experience with internships at City Football Group and the Daily Mail Sports desk, he joined egoli as part of the inaugural graduate program in 2020. In his current role he manages the IPC, PTO, FIS and APC accounts.
No post found for giles-morgan
News vault

egoli in the news
Egoli's groundbreaking new deal with the International Paralympic Committee has made the news with coverage in sportindustry.biz. The article outlines how a three-year deal will see egoli Media digitise and automatically log, tag and categorise all IPC-owned content,...

egoli Media and LMH enter strategic services agreement
egoli Media has announced a new strategic services agreement with leading media services specialist, LMH.
The agreement will see LMH provide digitisation services as part of egoli Media’s ground-breaking, end-to-end digital content management solution, which converts legacy tape and film to consumer-ready, licensable digital content for rights holders and content creators.

Founder’s Statement
If I had a $ for every time someone on my team had said ‘I wish I could find that shot’, there would be no need for an outside fund-raise to develop the technology which will eradicate that plea forever!
In the twenty years of owning and operating one of the most respected content creators in the sports sector, I continually invested….
Contact
Egoli Media is based in LA and London and indexes the stories of sports leagues, teams, clubs and athletes around the globe.

11693 San Vicente Blvd., #393, Los Angeles, 90049, CA, United States of America

10 Golden Square, Soho, London, W1F 9JA